Dialogue field TWO

28.09. until 08.11.2020

presentation:

28.10. until 08.11.2020.
 

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Lest hier die INTERVIEWS mit Anna und Heiko!
 

Anna Tillnobody watching

(2020, Chemnitz Sonnenberg)

ANNA TILL (Sense of touch)

(*1983, GER)

 

Anna Till lives and works as a freelance choreographer and dancer in Dresden. She studied "Dance, Context, Choreography" at the HZT - Inter-University Centre for Dance in Berlin and "Applied Cultural Studies" in Lüneburg. Under the label situation productions she develops stage plays with the cultural manager Bettina Lehmann in changing cooperations with artists of different genres. Supported and co-produced by partner institutions such as HELLERAU in Dresden or the tanzhaus NRW in Düsseldorf, she is active as a performer, realises mediation concepts for children and young people, teaches at several universities or coordinates exchange and discourse formats in the context of TanzNetzDresden.

Cooperation partners:innen and Projects:

CulturArte Maputo (MOZ), Goethe-International Co-Production Fund, TANZFONDS ERBE, Antje Pfundtner in Society Hamburg, ChanceTanz (Kultur macht stark), HZT Berlin, Hamburg University of the Arts, University of Leipzig, Weißensee University of the Arts, Hamburger Bahnhof Berlin, TanzNetzDresden (POP UP Performance, POP UP Salon), Zentralwerk Dresden, Villa Wigman für TANZ e.V.

Teaser dialogue field TWO

"How can one experience dance with all senses, but also create it? I am concerned with the sense of touch in contrast to SEEING / LOOKING. Among other things I will work in / with darkness or with closed eyes and try to direct the perception of familiar visual impressions to other levels".

http://www.annatill.de/

ANNA TILL (Sense of touch)

(*1983, GER)

 

Anna Till lives and works as a freelance choreographer and dancer in Dresden. She studied "Dance, Context, Choreography" at the HZT - Inter-University Centre for Dance in Berlin and "Applied Cultural Studies" in Lüneburg. Under the label situation productions she develops stage plays with the cultural manager Bettina Lehmann in changing cooperations with artists of different genres. Supported and co-produced by partner institutions such as HELLERAU in Dresden or the tanzhaus NRW in Düsseldorf, she is active as a performer, realises mediation concepts for children and young people, teaches at several universities or coordinates exchange and discourse formats in the context of TanzNetzDresden.

Cooperation partners:innen and Projects:

CulturArte Maputo (MOZ), Goethe-International Co-Production Fund, TANZFONDS ERBE, Antje Pfundtner in Society Hamburg, ChanceTanz (Kultur macht stark), HZT Berlin, Hamburg University of the Arts, University of Leipzig, Weißensee University of the Arts, Hamburger Bahnhof Berlin, TanzNetzDresden (POP UP Performance, POP UP Salon), Zentralwerk Dresden, Villa Wigman für TANZ e.V.

Teaser dialogue field TWO

"How can one experience dance with all senses, but also create it? I am concerned with the sense of touch in contrast to SEEING / LOOKING. Among other things I will work in / with darkness or with closed eyes and try to direct the perception of familiar visual impressions to other levels".

http://www.annatill.de/

Heiko Wommelsdorf  – Schallleistungspegel

(2020, Chemnitz Sonnenberg)

HEIKO WOMMELSDORF (Sense of hearing)

(*1982, GER)

 

After studying fine arts at the Muthesius Art Academy in Kiel, Heiko Wommelsdorf studied sound sculpture and sound installation with Ulrich Eller at the HBK Braunschweig from 2009 to 2012. In addition to numerous scholarships as well as many exhibitions at home and abroad, Wommelsdorf had a teaching position in the field of sound art at the Muthesius Academy of Art in Kiel from 2014 to 2015.

Scholarships and Exhibitions

Artists' Houses Worpswede, HBK Braunschweig, HAP Grieshaber Foundation, Künstlerhaus Eckernförde, Künstlerhaus Meinersen, Künstlerhaus Lauenburg/Elbe

Marta Herford, Museumsberg Flensburg, Singuhr-Hoergalerie Berlin, Stadtgalerie Kiel, Städtische Galerie Reutlingen, Kunstverein Hannover, Kunsthalle Kiel, Altonaer Museum, Hamburg, MaximiliansForum, Munich, Galerie Kai Erdmann, Hamburg, Städtische Galerie Kubus, Hannover, Galerie Mitte im KUBO, Bremen

Teaser dialogue field TWO

"The senses of the recipient are sharpened. The ear adjusts itself and differentiates between the sound sources and the urban environment (cars, passers-by, animals, wind, etc.) Fine nuances, rhythms and melodies become audible.  Space becomes sound. Sound is space."

 

http://www.heikowommelsdorf.de/

https://vimeo.com/heikowommelsdorf

HEIKO WOMMELSDORF (Sense of hearing)

(*1982, GER)

 

After studying fine arts at the Muthesius Art Academy in Kiel, Heiko Wommelsdorf studied sound sculpture and sound installation with Ulrich Eller at the HBK Braunschweig from 2009 to 2012. In addition to numerous scholarships as well as many exhibitions at home and abroad, Wommelsdorf had a teaching position in the field of sound art at the Muthesius Academy of Art in Kiel from 2014 to 2015.

Scholarships and Exhibitions

Artists' Houses Worpswede, HBK Braunschweig, HAP Grieshaber Foundation, Künstlerhaus Eckernförde, Künstlerhaus Meinersen, Künstlerhaus Lauenburg/Elbe

Marta Herford, Museumsberg Flensburg, Singuhr-Hoergalerie Berlin, Stadtgalerie Kiel, Städtische Galerie Reutlingen, Kunstverein Hannover, Kunsthalle Kiel, Altonaer Museum, Hamburg, MaximiliansForum, Munich, Galerie Kai Erdmann, Hamburg, Städtische Galerie Kubus, Hannover, Galerie Mitte im KUBO, Bremen

Teaser dialogue field TWO

"The senses of the recipient are sharpened. The ear adjusts itself and differentiates between the sound sources and the urban environment (cars, passers-by, animals, wind, etc.) Fine nuances, rhythms and melodies become audible.  Space becomes sound. Sound is space."

 

http://www.heikowommelsdorf.de/

https://vimeo.com/heikowommelsdorf