Dialogue field TWO

28.09. until 08.11.2020

presentation:

28.10. until 08.11.2020.
 

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life in numbers, by Stephan Floss
life in numbers, by Stephan Floss

Photo by Stephan Loss

Entwurf, nobody watching
Entwurf, nobody watching

nobody watching VI
nobody watching VI

Photo by Johannes Richter

life in numbers, by Stephan Floss
life in numbers, by Stephan Floss

Photo by Stephan Loss

1/8

Anna Tillnobody watching

(2020, Chemnitz Sonnenberg)

ANNA TILL (Sense of touch)

(*1983, GER)

 

Anna Till lives and works as a freelance choreographer and dancer in Dresden. She studied "Dance, Context, Choreography" at the HZT - Inter-University Centre for Dance in Berlin and "Applied Cultural Studies" in Lüneburg. Under the label situation productions she develops stage plays with the cultural manager Bettina Lehmann in changing cooperations with artists of different genres. Supported and co-produced by partner institutions such as HELLERAU in Dresden or the tanzhaus NRW in Düsseldorf, she is active as a performer, realises mediation concepts for children and young people, teaches at several universities or coordinates exchange and discourse formats in the context of TanzNetzDresden.

http://www.annatill.de/

NOBODY WATCHING

Anna Till

Video, object

 

A polygone object is moving through the city. Made from rubber foam, moved from the inside, watched from the outside, it is exploring the Sonnenberg district. Hidden inside: the dancer’s and coreographer’s body. No longer recognizable as a human being, the creature looks uncanny. It does not belong here. From wall to wall, from edge to lawn, to stairs, to waste garbage can, to park bench it moves. The material, the rubber foam, which surrounds her, functions as a second skin, which grants protection, but also impedes the contact to the outer world. Sense of touch is the sense, which roots us in this world. By collecting information by touch, Anna Till recognizes surface temperatures, feels whether objects are soft or hard and at which distance she is from them. By touching, she puts her body in context of its surroundings. 

 

@KOMPLEX (Foyer), Zietenstraße 32

Schallleistungspegel I
Schallleistungspegel I

Schallleistungspegel II
Schallleistungspegel II

Schallleistungspegel IV
Schallleistungspegel IV

Schallleistungspegel I
Schallleistungspegel I

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Heiko Wommelsdorf  – Schallleistungspegel

(2020, Chemnitz Sonnenberg)

HEIKO WOMMELSDORF (Sense of hearing)

(*1982, GER)

 

After studying fine arts at the Muthesius Art Academy in Kiel, Heiko Wommelsdorf studied sound sculpture and sound installation with Ulrich Eller at the HBK Braunschweig from 2009 to 2012. In addition to numerous scholarships as well as many exhibitions at home and abroad, Wommelsdorf had a teaching position in the field of sound art at the Muthesius Academy of Art in Kiel from 2014 to 2015.

 

http://www.heikowommelsdorf.de/

https://vimeo.com/heikowommelsdorf

SOUND POWER LEVEL Chemnitz-Sonnenberg

Heiko Wommelsdorf

​Stickers, district map 

 

Be it a cooling device, freezer, washing machine, dishwasher or heating system - all such machines receive a EU-energy label, on which, next to its energy efficiency class, its sound power level is noted (in db, decibel). By now, even in the public space, people value sound control so much that even car wheel suppliers advertise the soundlessness of their tires. Every machine on a construction site is painstakingly examined and labelled with the according sound power level. In Heiko Wommelsdorf’s work “SOUND POWER LEVEL Chemnitz-Sonnenberg”, even machines which are not mentioned in these regulations are being labelled. The ticking of traffic lights, the humming of ventilation systems, the buzz of power boxes and further sound-generators in the public space are being measured and labelled with stickers. To find the chosen spots, visitors receive a uniquely designed district map with markers and further information. 

 

@Sonnenberg district